Just over a year ago I came across and pinned this image, and my heart leapt. It's an image of an art installation by New York artist Jacob Hashimoto titled "Silence Still Gverns Our Consciousness". You can see more images of this amazing installation at his website.
I love this installation - the sheer scale and geometry of shape and repetition of shape, the interludes of colour, and the fine strings of black line which tie it all together, literally. The perspective and scale of each installation is fabulous - immersion in views and vignettes which change with every slight angle change. To say that this image, and this piece of art, has had an impact on me, is doing it a great disservice. I have thought about this for over a year. I have lived and breathed it in my head. I have dissected it. I have worried about whether what I have done degrades the original in some way, trivialises it, or whether it becomes an insult to the original artist, and the time and bravado that oozes out of the artists soul. There is something wonderful about the abstracted landscape of paper and timber kites which flow and float through the air which I desperately wanted to incorporate into a quilt.
I wanted that free flowing spirit of white on white, whispered with discs of bright patterned colour and thin black and grey lines for a bed, for Pia's bed. I wanted that landscape to fill her dreams with ethereal fields of flowers, and for the light in the day to reflect off the whiteness and fill her world with pure light. I wanted something playful, yet deliberate and carefully constructed. I wanted lightness and I wanted depth, all at the same time.
I took that image, and I abstracted it down to a simple series of ellipses and circles connected with fine lines. I took that sketch, and I created a Cad drawing, which was then PDF'd and tiled into A4 sheets that I could print off and use as my pattern template. I gathered fabrics ... what started out as an excercise in using up stash, went a bit off the rails as I found more and more fabrics to add. The white backgrounds and the white cloud ellipses that float through the centre of the quilt [barely seen in the photographs] mainly came from Tessuti - a mixture of plain white cotton and textured cottons with small dots either printed or raised to give some visual and physical texture. Then there is an assortment of Liberty fabrics from my stash, japanese fabrics from stash, cottons from stash, and the same again for all three from Calico and Ivy. Both Colette at Tessuti and Sarah at Calico and Ivy have been involved in the quilt, watching its progress over the last year as circles were cut and sewn together, ellipses sewn, and finally the whole thing pieced together and hung up on a wall at craft camp to see how it all looked. It's been a lot of work - each of the circles is hand sewn to each other, the front base is pieced together in sections with vertical seamed piecework within each panel, then each row of circles and ellipses is hand sewn to the front. Fine black and dark grey sashiko embroidery lines pick up some of the vertical seams to anchor the circles, and give a small amount of quilting to the piece. The back is plain white cotton, and it is bound with the same white cotton.
She's been watching me, peering over my shoulder when I've been working on it, knowing it is for her, and knowing that means it's special. She has delighted in finding each circle, and there has been moans when sections didn't have enough pink, but on the whole, I think the colours are fresh and girly, without a need for obtuse girlishness, butterflies or fairies.This quilt is now dictating how I decorate her room, and I love the cohesion that brings to her space. I love the mini kewpie dolls. And the deer. And her beloved Le Train Fantome dolls. I love that her brother took his job of holding up one side of the quilt so seriously. And I love how she snuggles in it.
It also secretly feeds my love of circles.
Gorgeous. You absolutely paid tribute and honored the artist vision.
Posted by: CreatureofHabit | November 02, 2012 at 10:13 PM
I don't think the artist would feel at all insulted.
Posted by: Ali | November 02, 2012 at 10:31 PM
And I know the photos don't come close to capturing the depth and complexity of texture. Brilliant work.
Posted by: Sooz | November 02, 2012 at 10:32 PM
Absolutely brilliant Alison!
Posted by: Colette | November 02, 2012 at 11:06 PM
Oooh wow. It is gorgeous!
Posted by: Di | November 02, 2012 at 11:14 PM
Just beautiful. It's a work of art in its own right.
Posted by: suzy | November 02, 2012 at 11:31 PM
I love this. You have done a beautiful job. A quilt to be treasured.
Posted by: Sam | November 03, 2012 at 07:33 AM
Stunning! As Sooz says, the photos don't capture the depth of the textures of the different white fabrics! So glad to see it completed.
Posted by: Sampling | November 03, 2012 at 08:06 AM
It's amazing, Alison. Just gorgeous. The artist could only be flattered by this interpretation of his work. I'd love to see more close ups of the white work and embroidery you've done.
Posted by: Nipper Jenn | November 04, 2012 at 12:58 AM
This is fabulous. What a brilliant homage to the art that inspired the quilt! I love every bit of it.
Posted by: sanae | November 04, 2012 at 03:52 AM
your interpretation is a beautiful work of love..circling round such a beautiful child..the perfect balance of form and function....and heart, bravo,my friend.xx
Posted by: theresa/tdoeswool | November 04, 2012 at 02:25 PM
Absolutely, wonderfully beautiful. I can see your heart and your vision in this piece of love - I remember a mini-conversation we had via your blog years ago about what constitutes a quilt, and I said to you by definition a quilt is any covering that consists of 3 layers sewn together, regardless of what others might say. I think I would have to add to that that be it humble or exquisitely ornate, a quilt also consists of love, and vision, and a little (or not-so-little) piece of your heart. That's what I see in your creation for Pia, and it is a thing of beauty.
Posted by: Alison | November 04, 2012 at 07:01 PM
A real masterpiece Al x
Posted by: kate | November 04, 2012 at 08:40 PM
Every now again you see something on the web that is so inspiring it lingers in your mind, and you wish you could see it in person...this is the nicest quilt I have seen in a very long time....brilliant work....this image will linger in my mind, as your quilt will linger and be loved by generations of your family to come...
Posted by: Jen | November 04, 2012 at 08:55 PM
Thanks for your sharing and welcome to check:http://www.joyfax.com
Posted by: lingling | November 05, 2012 at 02:06 PM
How beautiful - I'm sure that P will be only the first in many generations of your family that will love and treasure such a delightful, carefully designed and beautifully made quilt.
Posted by: Jackie Q | November 06, 2012 at 01:42 PM
Oh wow, this is amazing! A beautiful interpretation of the artists work, really inspired. This may finally tempt me to try quilting.
Posted by: Melinda | November 07, 2012 at 08:37 AM
STUNNING !! [as always]
Posted by: lisa s | November 09, 2012 at 08:20 AM
Alison-
I realky love this quilt. You have created a beautiful play on space, texture and design. I need to go explore the artist as you have peeked my interest.
Love the image of Pia up top.
N
Posted by: Nancy | November 13, 2012 at 03:06 PM
Gorgeous photos! Love your blog, such a cool concept.
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Posted by: parajumpers | December 19, 2012 at 06:15 PM
Seeing your beautiful quilts it makes me want to try and quilt again
Thanks for sharing
Posted by: christine | February 06, 2013 at 09:25 AM